By far, the most common reason for visiting the city is the temple, dedicated to the goddess Meenakshi (considered a form of Parvati) with a smaller sanctum for her consort, Sundareshwarar (or Siva). The complex itself is a splendid example of the south Indian Dravida architectural idiom. Four immense gopurams or temple towers crown the gateways at each cardinal direction, easily visible from a distance. Each tower is encrusted with more than a thousand brilliantly painted sculptures depicting an assortment of mythological and auspicious themes. It is traditional to enter through the south gopuram and, unusually, worship the Goddess before her consort. Inside the shelter for shoe-storage, offering baskets of coconuts, bananas and incense are available in addition to images of the Goddess for home altars. Many pilgrims -- particularly the men in black or orange sarongs who are devotees of the god Ayyappan -- circumambulate the main temple itself in the prakara or space between the outer wall and main temple. In addition, snake shrines and an assortment of offices and classrooms of religious foundations are found here.

Within the temple, devotees line up for darshan or viewing of the deities. Please note, however, that non-Hindus are not permitted into the inner sancta of Meenakshi or Sundareshwarar; anyone who looks suspicious can and will be pulled out of line by attendants. However, there is an abundance of sculpture and painting accessible to all. In addition, the steps of the Pottramaraikulam or Golden Lotus Pond is open to all and is a common meeting place for inhabitants of the city, in addition to pilgrims and tourists. In ancient times, the sangam or assembly of poets was said to gather at this pool to judge the merits of new compositions, often by throwing the manuscripts into the pool itself. Those that sank were inferior while those that floated were worthy of praise and propagation.

There are many shops within the east gate, selling everything from plastic toys to bronze images of the Goddess.